Featured Video

È sogno o realtà?

from Verdi’s Falstaff

Steve Groth, baritone, is a classical vocalist, teacher, and collaborative pianist currently residing in the Texas Panhandle.  Recently he has performed with Opera Naples in their productions of Turandot (Ping), L’elisir d’amore (Belcore), and in Cedar Rapids production of Die Fledermaus. In previous seasons, Steve has performed the role of Marullo (Rigoletto) with Finger Lakes Opera, the role of Antonio (Le nozze di Figaro) with Sarasota Opera and covered the roles of Alfio and Tonio in Sarasota Opera’s double-billing of Cavalleria Rusticana and Pagliacci  A frequent artist at the Italian Montefeltro Festival, Steve’s Italian credits include Count Almaviva (Le nozze di Figaro), Ford (Falstaff), Taddeo (L’Italiana in Algieri), and his Italian debut singing the title role of Verdi’s Rigoletto. Other credits include Dandini (La Cenerentola), the King (Puss in Boots), Escamillo (Carmen), Alfio (Cavalleria Rusticana), Don Alfonso (Così fan tutte), Polinesso (Ariodante), Mr. Webb (Our Town), Count Almaviva (Le nozze di Figaro), and Baron Douphol (La Traviata).

Equally at home on the concert stage, Steve has recently sung the baritone solos in Ein deutsches Requiem (Brahms), Messa di Gloria (Puccini), Messiah (Handel), and Carmina Burana (Orff).

In recent competitions, Steve has been a finalist in the Patricia Crump Competition (2024, 2025), a semi-finalist in the Concorso internazionale di canto Lirico di Nicolai Ghiarov (2024), semi-finalist in the SAS Vocal Competition (2023, 2024), and a semi-finalist in the Jenson Competitions (2023, 2024).  He received the Kenneth King second prize award in the Denver Lyric Opera Guild competition in 2021 and took the William Vennard Award in the national NATSAA competition in 2020. 

Take a look at Steve’s Upcoming Events

“The jail warden Frank was portrayed by Steve Groth. Groth’s baritone voice was rich and surprisingly agile, his dramatic performance ranging from irritable straight man to inebriated false Frenchman and back again.”

-Meghan Klinkenborg, The Little Village Magazine

“Baritone Steve Groth sang expressively, making the most of the smaller role of the Commentator.”

-John Danaher

“My favorite piece of the night was “Largo al Factotum”… by Steven Groth… who had a booming voice. This piece probably got the loudest cheers of the night.”

— Elias Born, The Criterion